Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American–Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s ...(展开全部)

Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American–Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s ...(展开全部)

Shu-mei Shih inaugurates the field of Sinophone studies in this vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies, and transnational studies. Arguing that the visual has become the primary means of mediating identities under global capitalism, Shih examines the production and circu...(展开全部)

Shu-mei Shih inaugurates the field of Sinophone studies in this vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies, and transnational studies. Arguing that the visual has become the primary means of mediating identities under global capitalism, Shih examines the production and circu...(展开全部)

In Pink Globalization, Christine Yano examines the creation and rise of Hello Kitty as a part of Japanese Cute-Cool culture. Yano argues that the international popularity of Hello Kitty is one aspect of what she calls pink globalization - the spread of goods and images labelled cute (kawaii) from Japan to other parts of the industrial world. The concept of pink globalization co...(展开全部)

In Pink Globalization, Christine Yano examines the creation and rise of Hello Kitty as a part of Japanese Cute-Cool culture. Yano argues that the international popularity of Hello Kitty is one aspect of what she calls pink globalization - the spread of goods and images labelled cute (kawaii) from Japan to other parts of the industrial world. The concept of pink globalization co...(展开全部)

This book uncovers the basic contradictions between contemporary China's complex ideological marketplace and Western liberalism. It describes and puts into critical context three versions of Western liberalism (those of F. A. Hayek, John Rawls, and John Dunn), three versions of Chinese liberalism (those of Yang Kuo-shu, Li Qiang, and Ambrose Y.C. King), two versions of modern C...(展开全部)

Kin-Fo, a well to do Chinese man living in Shang-Hai, is accused by his good friend Wang of not having had any discomforts in his life that would make him appreciate true happiness. When Kin-Fo, receives news that his fortune is lost he arranges for an insurance policy to be taken out on his life that would cover his death, even by suicide; which he is planning on committing. H...(展开全部)

In this fascinating and exciting overview, Donald B. Freeman explores the role of the Pacific Ocean in human history. Covering over one third of the globe, the Pacific Ocean plays a vital role in the lives and fortunes of more than two billion people who live on its rim-lands and islands. It has played a crucial part in shaping the histories of the different Pacific cultures, ...(展开全部)

英国艺术史家，小说家，画家。1926年出生于伦敦。1946年从军队退役后进入Central School of Art和Chelsea School of Art学习。1948年至1955年以教授绘画为业，曾举办个人画展。1952年，他开始为伦敦左派杂志New Statesman撰稿，并迅速成为英国当代最有影响力的艺术批评家。此后他更有多部艺术专著问世，如《观看之道》、《看》、《另一种讲述的方式》、《毕加索的成败》等，已经是艺术批评的经典；他亦写小说，名篇G.（1972）获英国布克奖及詹姆斯·泰特·布莱克纪念奖。 最近20年间，伯格一直生活在阿尔卑斯山脚下的一个法国小村庄中。濒临消亡的传统山区生活方式令他着迷，并反映在他的作品中。 ... 我尊崇并热爱约翰·伯格的作品。他为世间真正重要之事写作，而非随兴所至。在当代英语作家中，我奉他为翘楚；自劳伦斯以...(展开全部)